HOOD - Making Faces - UpStArt Annapolis

+ By Theresa C. Sanchez

From the slight raise of an eyebrow to a playful pout of the mouth, people often speak volumes without saying a word. At any moment, on any given day, the average person engages some of the 43 muscles in the human face in various combinations to display up to 21 expressions. Whether purposeful or subconscious, these forms of nonverbal communication help convey emotion. They are also as essential to creating a successful portrait as the interaction between subject and artist.

Members of the Maryland Society of Portrait Painters (MSPP) claim portraiture to be the most challenging art form to pursue because people demand a certain level of resemblance.

Joanna Barnum, Generations, 15x 22, watercolor, 2017. Created for MSPP’s exhibit “Face-to-Face: The Evolving Story of Sandy Spring”, Sandy Spring Museum: a portrait of two residents of Sandy Spring who volunteered to participate in the collaboration.

“Portrait artists try to go beyond just the likeness in an attempt to capture some unique aspect of a person,” says David Lawton, oil and pastel artist, painting instructor, and MSPP’s president. He says that even if you take a hundred photos of someone, only a few might really capture their personality. He believes the end product should prompt people to exclaim, “Oh yeah, that’s him!”

While there’s no question that the human face is as fascinating as it is ubiquitous, its universal appeal is debatable. Lacking a familiarity with the visage staring back at you or the notoriety of the creator behind it, one might not have reason to linger and look at a portrait. MSPP recognizes that and understands the personal nature of portraiture, and kept it in mind when assembling this past summer’s exhibit at the Willow Gallery in Quiet Waters Park. Unlike previous shows it’s coordinated, the all-members collection of 88 paintings, drawings, and sculptures, by 34 different artists, added landscape and still life pieces to make it accessible to a wider audience.

Broadening the showcase’s scope benefitted the novice MSPP members by giving them an opportunity to step into the spotlight. Lawton—who joined the volunteer-run, nonprofit organization a decade ago and has been its president for the past six years—said he had to convince some of his less-confident colleagues to submit work. “Everyone has talent and ability, it’s just a matter of whether it’s developed or not,” he says. For him, each subject matter builds on another. Landscapes require decisiveness, forcing the painters to react to what they’re seeing in real time. Still life offers more control of the material, lighting, and time. Portraiture combines those skillsets, yet also necessitates drawing expertise. Exhibiting finished artwork is considered the final step in the artistic production process.

Bill Mapes – The Wrangler, oil, 20×16

“The tradition of portraiture does not survive on its own. The knowledge must be learned, practiced, and then passed on to the next generation,” says award-winning sculptor Rick Casali and MSPP’s vice-president. “To be a portrait artist you must love people and remain constantly curious about the world. It’s always a joy to be around these types.”

The range of proficiency among the MSPP’s current 100 members might vary, but they have one thing in common, and that is documenting all aspects of life, says Andrée Tullier. The painting instructor serves as MSPP’s membership and accreditation chair. Like some of her peers, she also works as a full-time professional artist; other members include part-time artists, retirees, students, and hobbyists. “We’re not just a portrait community, we’re an art community,” says Tullier.

MSPP’s next exhibition will take place at Annapolis City Hall, from October 8 to November 28 and its next annual meeting is slated for November 11 at Anne Arundel Community College. █

For more information,
visit MSPP’s website:
www.mdspp.com

: Diane Monday, MSPP Accredited Memeber, oil painter, Annapolis, MD

: David Lawton, President, MSPP Accredited Member, Pasadena, MD

: Members start drawing and painting the model. Paintings were part of “Face-to-Face: The Evolving Story of Sandy Spring”, Sandy Spring Museum, Sandy Spring, MD. photo credit: Teresa Cowley

: Pamela Wilde, MSPP Accredited Member, oil painter, Abingdon, MD

: Painting from life using models. Paintings were part of “Face-to-Face: The Evolving Story of Sandy Spring”, Sandy Spring Museum, Sandy Spring, MD. photo credit: Andrée Tullier

: Nancy McCarra, Treasurer/Secretary, MSPP Accredited Member, oil and pastel painter, Annapolis, MD

: Lesa Cook is a sculptor and painter living in Burkittsville, MD

: Pamela Wilde – Peter, 12×12, oil. This painting is one of many that she has painted since January. All are created in a live 3-hour Alla Prima session as part of her “Portraits from Havre De Grace” community art project. Members of the community and beyond have been invited to participate. To date Pamela has completed 35 paintings and hopes to complete up to 100 before the exhibit opens. Her portraits will be on display at Artists Emporium Gallery 220 N Washington Street HDG, MD 21078 in the Spring of 2019.

: Front row: Sandy Cohen, Diane Cary-Thomson, Sheila Myers, Rebecca Wallace Pugh. Back row: David Lawton, Blandine Broomfield, Janet Ewing, Melissa Gryder, Sarah Wardell

: Bill Mapes – The Wrangler, oil, 20×16

: Lesa Cook – Elpis is Alive, terra cotta sculpture, 5x16x7

: Nancy McCarra – Cole, pastel, 24×18

: Joanna Barnum, Generations, 15x 22, watercolor, 2017. Created for MSPP’s exhibit “Face-to-Face: The Evolving Story of Sandy Spring”, Sandy Spring Museum: a portrait of two residents of Sandy Spring who volunteered to participate in the collaboration.

: Diane Monday, Late Tea with Grandad at Place Stanislas, oil, 24×30

: Alison Bell Belt with one of her figurative reliefs, sculptor, Cockeysville, MD

: Bill Mapes, oil painter, Gaithersburg, MD

: Andrée Tullier, Membership Chair, MSPP Accreditied Member, oil and pastel painter, Annapolis, MD

: Rose Frantzen, a nationally renowned artist, painted a portrait from life as part of the Society’s annual meeting. Portrait of Maquoketa, Rose’s solo project of 180 portraits of the people of Maquoketa, Iowa, was exhibited at the Smithsonian’s National Portrait Gallery in Washington, D.C. in 2009/2010.

: Sandy Cohen – Sunny Boy, oil, 14×11

: David Lawton – Self-Portrait, oil, 34×25

: Sandy Cohen, MSPP Accredited Member, oil painter, Annapolis, MD

: Joanna Barnum, MSPP Accredited Member, watercolor artist, Abingdon, MD.

: Andrée Tullier – Ahren Buccheister, pastel, 16×12. Muscians of Annapolis project.

: Melissa Gryder – Paps, oil, 24×18. This portrait of the artist’s grandfather is the first in a series of portraits of Maryland farmers. The project entitled “Farm Crisis” is meant to bring attention to the dying tradition of family farms in Maryland.

: Melissa Gryder, Exibition Chair, MSPP Accredited Member, oil painter, Annapolis, MD